ZINORBITA Vagabundo

Vagabundo
Raised on the northwest side of the city of São Paulo under the influences of Soul, R&B; and Hip Hop, DJ Snoop (also known as Vagabundo) was proclaimed the Hero of the humble people from the periphery of his city due to his historical journey as Nation club’s resident DJ (2001-2002). Not much after that, he was elected the “Upcoming DJ” of 2002 on the Noite Ilustrada Awards by Folha De São Paulo newspaper.
Since then, he has been considered among the most respected professionals of the Brazilian electronic scene, playing in the main Techno events of his country. DJ Snoop built up an impressive career through his brilliant performances all these years.

Skyrocket – ultimate party band

Skyrocket
SKYROCKET! is perhaps the most wickedly original party band to emerge from any music scene, let alone a city like Austin where original music rules. Two things make SKYROCKET! stand out: 1) The players. All of them are recording artists in their own right. Maybe you’ve seen them before, on tour, on TV, or performing around Austin. 2) The songs. It all started when this handful of the city’s most successful and well-loved songwriters discovered a common passion for ’70s “solid-gold” music: Disco, glam rock, soft rock and soul one-hit wonders. One forgotten hit led to another, then the ’70s led to the ’80s, and the song list grew, cherry-picked for the ones most likely to get screams of sudden recognition from the audience. Calling themselves The K-TEL Hit Machine, They caught on quickly as one of the freshest, funnest dance bands around. By the end of 2005, they had even charmed city’s impossible-to-charm music critics at the Austin Chronicle’s holiday bash, and the band’s popularity SKYROCKETed from there, hence the name change.

The Nightowls

The Nightowls
This fall, the 10-piece Austin-based “suave, energetic soul” (Austin Chronicle) band The Nightowls will hit the road for their largest tour to date, performing in 13 new cities including NYC, Boston and Washington, DC. The band, which spent part of last year driving 1,390 miles from their hometown to Muscle Shoals, AL to record their new LP, ‘Fame Sessions’ (Sept. 4 / Super Sonic Sounds) at the iconic FAME Studios, will bring new material and their “dynamic, dancing-in-the-street” (Texas Music Magazine) live show to new audiences.
Henry & The Invisibles

HENRY + THE INVISIBLES (Henry Roland) is a one-man funk/soul band best known for electrifying audiences with high-energy dance music and explosive live performances. Henry records live loops using his sultry voice, a Fender Stratocaster guitar, Fender Jazz bass, a flux of keyboard/synth sounds, drums and percussion to create a musical wall of sound that would more than likely be mistaken for a 5-piece funk outfit if one were blindfolded.

Henry + The Invisibles’ music has the grit of Sly & The Family Stone, the rhythmic syncopation of James Brown and the guitar wizardry of Prince yet has a unique and progressive modern original sound that is definitively Henry + The Invisibles.

Kiefer Sutherland

Kiefer Sutherland
Kiefer Sutherland has been a professional actor for over thirty years, starring in movies like ‘Stand By Me’, ‘The Lost Boys’, ‘Young Guns’, Flatliners’, ‘A Few Good Men’, ‘A Time to Kill’, ‘Dark City’, ‘Melancholia’ and most recently, a western called ‘Forsaken,’ as well as the TV series ’24.’

But unknown to many during the course of his career, he has taken on other vocations with the same kind of dedication and commitment. The first one, beginning around 1992, was that of a cattle rancher and competitive cowboy (roper) in the USTRC team roping circuit. He ran a successful ranch with partner John English for almost a decade. During that timeframe, Sutherland won numerous roping events around the country including Phoenix, Indio and the Los Angeles Open.

In 2002, Sutherland, with his music partner and best friend Jude Cole, began a small record label called Ironworks. The goal of this label was to record local musicians and distribute their music at a time when the music industry was going through a monumental shift. Some of their artists included Rocco DeLuca and the Burden, HoneyHoney and Billy Boy On Poison. In 2009, Sutherland left the label to recharge and figure out what he was going to do next.

In early 2015 Sutherland played Cole two songs he had written and wanted to record as demos for other artists to record. Cole responded positively to the songs and the album grew organically from those recordings. Two songs became four and four grew into six, until Cole suggested that they make a record. Their collaboration resulted in Kiefer Sutherland’s upcoming debut album: ‘Down In A Hole’.

Sutherland says of the 11 tracks that make up the album, “It’s the closest thing I’ve ever had to a journal or diary. All of these songs are pulled from my own personal experiences. There is something very satisfying about being able to look back on my own life, good times and bad, and express those sentiments in music. As much as I have enjoyed the writing and recording process, I am experiencing great joy now being able to play these songs to a live audience, which was something I hadn’t counted on”.

The Walters

The Walters
The Walters is a band from Chicago and Minor League Baseball Team.
Summer Salt
Summer Salt is a surf pop trio from Austin, TX. With influences of bossa nova and 60’s rock, they create the perfect soundtrack for chillaxin’ by the pool. Their happy vibes will surely appeal to you and your parents. Their latest 7″ EP, Going Native was released on Austin Town Hall Records.

Folk Family Revival

Folk Family Revival
Review from The Horn

These guys don’t let up from one song to the next, taking you on an addictive, completely catchy journey through their version of Texas. Read More
The story behind “If It Don’t Kill You” on Anti-Music

http://www.antimusic.com/news/15/April/08Singled_Out-_Folk_Family_Revivals_If_It_Dont_Kill_You.shtml
Interview with Mason on All Access Music

Water Walker, the second set of songs served up by Magnolia, TX-based Folk Family Revival, could be viewed as the foursome’s sonic second coming. Following the literal band of brothers’ – Mason, Barrett and Lincoln Lankford, plus family friend Caleb Pace – initial offering, 2011’s Unfolding, the group has been resolute about not being pigeonholed in one musical box or another, opting instead to widen the already vast scope of sounds and styles found in their music.

Read more: http://music.allaccess.com/folk-family-revival-blur-genres-worship-god-dylan-on-water-walker/#ixzz3XEZ8ld3o

Two Tons of Steel

Two Tons of Steel
Before there was Americana, before there was Texas Country, Two Tons of Steel front man Kevin Geil and his original band, “Dead Crickets,” rocked a sound that blended the best of musical worlds and pushed the envelope of “Texas” sound with a signature brand of high-energy country meets raw punk.

The San Antonio-based group packed the small bars and local hangouts and quickly became the Alamo City’s most-loved band, earning them a spot on the cover of Billboard Magazine in 1996. It was the beginning of a twenty year journey for Geil and the 4-piece ensemble.

Releasing “Two Tons Of Steel” in 1994 and “Crazy For My Baby” in 1995 on Blue Fire Records, a sponsorship deal with Lone Star Beer quickly followed. Dead Crickets, renamed Two Tons of Steel in 1996 began traveling outside of Texas, including stops at the Grand Ole’ Opry in Nashville, Tenn., the National Theater in Havana, Cuba, and European tours, to greet fans who had embraced their Texas-born sound. In 1996 they released “Oh No!” on their independent label, “Big Bellied Records.” They followed up the passion project with a live recording at the legendary Gruene Hall in Gruene, Texas, taped during a Two Ton Tuesday Show 1998.

In 2013, the band marks 18 years of “Two Ton Tuesday Live from Gruene Hall.” The summer-long event drew 13,000 fans in 2012 and more than 150,000 fans since it began its annual run in 1995.

The popular concert series was captured in “Two Ton Tuesday Live,” a DVD-CD combo released on Palo Duro Records in 2006. Also that year, the band’s first national release, “Vegas,” produced by Grammy Award-winning producer Lloyd Maines on the Palo Duro label, took them to No. 7 on the Americana Music Charts and was one of the top 20 releases of 2006. Two Tons released “Not That Lucky” in 2009. The album peaked at No. 4 on the Americana Music Charts and has made Two Tons of Steel a band to watch in 2013.

Along the way, the band has collected a number of awards. To date, Two Tons has cleaned up at home, winning “Band of the Year” on 12 separate occasions and “Album of the Year” for its self-titled debut. Two Tons has also been named “Best Country Band” by the San Antonio Current ten times. Geil also has nabbed ‘Best Male Vocal’ honors four times.

Two Tons of Steel’s reach extends beyond their live gigs. In 2003, the band was filmed during a “Two Ton Tuesday” gig for the IMAX film, “Texas: The Big Picture,” which can be seen daily at the IMAX Theatre in the Bob Bullock Texas State History Museum in Austin and has been seen as far away as Japan. The band also has been featured as supporting characters in award-winning author Karen Kendall’s romance novel, “First Date.”

Two Tons Of Steel, Kevin Geil, Jake “Sidecar” Marchese on Upright Bass, Brian Duarte on Lead Guitar and Paul Ward on Drums continues to push the line between country and punk with its next project “Unraveled” produced by Lloyd Maines, due out July 2, 2013.

Wayne Hancock
“Wayne Hancock has more Hank Sr. in him than either I or Hank Williams Jr. He is the real deal.” – Hank III
“Hancock, who tosses out a roots mix of old country, roadhouse blues, western dance swing, boogie bop, and straight-up rockabilly, takes what was once old and makes it seem like it’s always been and always will be.”—allmusic.com
“The country music scene could do with a lot more characters like Wayne, who push the music’s limits while staying truer to its roots than any well-known names associated with the genre today.” – Slug Magazine
Since his stunning debut, Thunderstorms and Neon Signs in 1995, Wayne “The Train” Hancock has been the undisputed king of Juke Joint Swing–that alchemist’s dream of honky-tonk, western swing, blues, Texas rockabilly and big band. Always an anomaly among his country music peers, Wayne’s uncompromising interpretation of the music he loves is in fact what defines him: steeped in traditional but never “retro;” bare bones but bone shaking; hardcore but with a swing. Like the comfortable crackle of a Wurlitzer 45 jukebox, Wayne is the embodiment of genuine, house rocking, hillbilly boogie.

Wayne makes music fit for any road house anywhere. With his unmistakable voice, The Train’s reckless honky-tonk can move the dead. If you see him live (and he is ALWAYS touring), you’ll surely work up some sweat stains on that snazzy Rayon shirt you’re wearing. If you buy his records, you’ll be rolling up your carpets, spreading sawdust on the hardwood, and dancing until the downstairs neighbors are banging their brooms on the ceiling. Call him a throwback if you want, Wayne just wants to ENTERTAIN you, and what’s wrong with that?

Wayne’s disdain for the slick swill that passes for real deal country is well known. Like he’s fond of saying: “Man, I’m like a stab wound in the fabric of country music in Nashville. See that bloodstain slowly spreading? That’s me.”

Little known fact: Wayne is the only Bloodshot artist to have had their CD taken aboard a space shuttle flight.

“A rare breed of traditionalist, one who imbues his retro obsessions with such high energy and passions that his songs never feel like the museum pieces he’s trying desperately to preserve.” —AllMusic.com

Jason James
Up and coming Texas artist Jason James is here to bridge the gap between the red dirt music we enjoy and the classic country we love.

Elements of country, honky tonk and blues are prevalent and flawlessly executed giving listeners a unique opportunity to experience a sound not yet heard on the Texas scene.

Scott Biram Jesse Dayton

Scott Biram
Scott H. Biram isn’t a one-man band. He is THE one-man band

Quoth he: “My music is the bastard child of Punk, Blues, Country, Hillbilly, Bluegrass, Chain

Gang, Metal, and Classic Rock.” But don’t let that fool you. Two-man bands like the Black Keys

have made a lot of noise in the past few years, but Biram’s got twice the cri de couer with half

the personnel. He fearlessly preachs his gospel of blues, punk, country, metal and psychobilly to

his congregation of metalheads,barflies, college professors and regular dudes via a pulpit that is just a stack of amps, a ’59 hollow body Gibson and a stomp board.

The Clash did Combat Rock, Biram traffics in Combat Blues. Don’t be fooled by the whiskey and chicken antics, SHB has become a pre-eminent bluesman for the 21st century; when he gets locked in, when that groove is hooked, there are few better pure country blues artists out there. It’s alternately hypnotic and harrowing.

Biram will still the room with haunting and sparse West Texas blues and then it upside down, into a truck driver’s mosh pit, part Sam Kinison, part GWAR and part Holy Ghost. Like he sez,

it might be baptism, or it might be a murder.

His singing, yodeling, growling, leering and brash preachin’ and hollerin’ is accompanied by sloppy riffs and licks and pounding backbeat brought forth by his amplified left foot. The remainder of this one-man band consists of an unwieldy combination of beat-up amplifiers and old microphones strung together by a tangled mess of guitar cables.

Years of compulsive touring, along with a steady diet of down and dirty blues, rock, punk, country, and hillbilly have developed Scott H. Biram’s signature concoction, attracting a hefty array of fans who dig the bizarre and twisted sides of the rock and roll spectrum. His live shows unleash a Lemmy-sized metal attitude, a stomping, pulsing John Lee Hooker-channeling, and cockeyed tales of black water baptisms and murder, all while romanticizing the on-the-road lifestyle.

Scott H. Biram won’t die, either. On May 11th, 2003, one month after being hit head-on by an 18-wheeler at 75 MPH, he took the stage at The Continental Club in Austin, TX in a wheel chair-
-I.V. still dangling from his arm. With 2 broken legs, a broken foot, a broken arm and 1 foot less of his lower intestine, Biram unleashed his trademark musical wrath. When, less than a year
later, Scott H. Biram took the stage at his 2004 SXSW festival showcase right after Kris Kristofferson he was quoted as growling “They said that was a hard act to follow… I’m a hard act
to follow, motherfuckers!!” The stunned crowd looked on.

And the legend grows.

Jesse Dayton
BIOGRAPHY
Jesse Dayton has been building a cult following around the globe playing festivals in North America and Europe for years with his guitar shredding, country-infused, Americana sound. As a critic’s darling for his first record on Justice Records, Raisin’ Cain (1995), and a number one Americana radio ranking, Jesse was hired at a young age to play lead guitar on some of the last recordings, and play live, by country legends Waylon Jennings, Ray Price, Johnny Bush, Willie Nelson & Glen Campbell and he’s been featured in many guitar magazines. Sensing a shift in the music business climate, Jesse formed his own label in 2002, Stag Records, and began his most prolific recording period. While recording five solo records, one duet record, one live record, all on Stag, as well as two soundtrack recordings (Devil’s Rejects, Halloween 2) for rocker/director Rob Zombie, Jesse managed to act in movies and music videos, produce several records for other artists (the latest being Supersuckers front man Eddie Spaghetti’s “The Value Of Nothing” on Bloodshot Records), write two screenplays, and most recently wrote and directed a new horror movie, “Zombex,” starring Malcolm McDowell, Sid Haig, John Doe, and Lew Temple (“Walking Dead). All while still performing 150 shows per year.
Jesse landed the part of Kinky Friedman in Ted Swindley’s stage production of “Becoming Kinky: The World According To Kinky Friedman,” which ran for a few weeks and also led him to releasing a record of Kinky Friedman original songs called “Jesse Sings Kinky” which has opened up a whole new chapter for him with more radio airplay than ever in his career. As his film “Zombex” just got back from Cannes Film Festival, Jesse will be releasing the Zombex soundtrack which is steeped heavy in the Louisiana/Texas music of his youth. Before JD starts on his next film, he’ll be on tour “brangin’ it” with his all-star band of hotdog Austin musicians, playing to his faithful fans called “Hardchargers” around the globe. Don’t miss this show!!!

Aggrolites

Aggrolites
Biography
The Aggrolites are more than a band they are a movement unto themselves. They carry a banner – one created with their own hands. This banner reads, “Dirty Reggae,” and represents their signature fusion of reggae, soul, grit and determination. For seven magnificent years, this dirty reggae bunch has rolled from city to city, across the pond and up main street USA. They rally the kids, the parents, the students, the cops, the bosses and the drifters. The people come, they relish in The Aggrolites, the dirty reggae and the joy that comes with it all. The liberating rhythms and catchy grooves demand a return trip.

Out of the Los Angeles school of hard knocks, The Aggrolites have earned a Ph.D in “feel good music.” On the road they educate with the thunder and punch of the reggae drums and bass, the ripping, soulful melodies of the organ and guitars, and Jesse Wagner’s voice – a gift from the heavens, a perfectly intact gift from Otis, Sam, Ray and Wilson.

After eight years of touring the globe, The Aggrolites are proud to reveal their first live album, Unleashed Live Vol. 1. With five previous studio releases under their belt, including recently released Rugged Road, the next logical move for the band was a compilation of their favorite songs recorded live from recent shows at The Belly Up in Solana Beach, CA and The Roxy Theatre in Los Angeles, CA. Unleashed Live Vol. 1 features songs from all four previous studio releases plus a version of The Beatles “Don’t Let Me Down” and “Banana” by the legendary reggae artist, Roy Ellis. Release date will be announced sometime this fall and available digitally worldwide and in select retail outlets nationwide.

The Aggrolites have a specific way of making music. They don’t over think it, they don’t obsess over pop culture demands, they walk onto a stage or into a recording studio and let “it” happen – a culmination of inspiration – from the road, from playing alongside legends, and from the energy and motivation of their die hard fans.

The Aggrolites are Jesse Wagner (vocals, lead guitar), Roger Rivas (organ), Jeff Roffredo (bass) and Alex Mckenzie(Drums).

They have five other full-length albums to their credit — Dirty Reggae (Axe, 2003), The Aggrolites (Hellcat, 2006) and Reggae Hit L.A. (Hellcat, 2007), IV (Hellcat, 2009) and Rugged Road (Young Cub, 2011) “A glorious, surprising treat. Ideal for your next soul shakedown party,” raved Peter Relic from Rolling Stone. In 2007, the band also collaborated with Rancid front-man Tim Armstrong on his solo A Poet’s Life (Hellcat 2007) CD/DVD release.

The Aggrolites are well represented in film, television and video games. Their songs have been featured in NBC’s Friday Night Lights, MTV’s The Hills, Nick Jr.’s Yo Gabba Gabba, USA’s Dr. Steve-O, MavTV’s Rad Girls, the award-winning surf film The Pursuit, and Australian video game Cricket. The Aggros-backed, Tim Armstrong and Skye Sweetnam duet, “Into Action,” is featured in Dream Works Pictures’ Hotel For Dogs and Summit Entertainments “50/50” featuring Joseph Gorden-Levitt and Seth Rogen. Their renditions of The Specials’ “Ghost Town” and Musical Youth’s “Pass The Dutchie” will be heard in the upcoming teen surf comedy Endless Bummer, and “Free Time” will be in Walden Media’s musical-romantic comedy Band Slam.

The Aggrolites have shared the stage with Social Distortion, Rancid, Flogging Molly, 311, Michael Franti & Spearhead, Dropkick Murphys, Against Me! and Gogol Bordello. They have graced the stages at such notable events as Vans Warped Tour, SXSW, Coachella, Fuji Rock in Japan, West Coast Riot, Open Air St. Gallen, Pohoda Festival, Rebellion Festival, Chiemsee Reggae Festival, Couvre Feu Festival, among numerous others around the world.

Los Skarnales
Los Skarnales celebrated its 20th anniversary in 2014 with the release of “Vatos Rudos Forever”, a collection of 34 songs spanning the band’s beginnings to the current line-up, demonstrating the band’s diverse sounds.

Recently, the band released a new EP entitled “Another Day, Another Borrachera” on Smelvis Records. Once again, the Vatos Rudos from Texas are at it again, mixing global roots music with their Chicano style showing off their Pachuco Boogie sounds

The Rumjacks

The Rumjacks
The Rumjacks are a punk rock / Celtic folk band from Sydney, Australia.
Brumes
Expanded from a solo looped based ambient project, Brumes has evolved into a trio taking the original ambient, experimental songs and evolving them into an orchestrated atmospheric affair. Dalton Long, Desireè Rousseau and Nico Bartulski will be debuting their new album, Sounding in Fathoms, on June 12.
Sarah Shook & the Disarmers
Sarah Shook & The Disarmers are a country band with a sneer, a bite, and no apologies. Shook’s original songs take on the usual country spin on shitty relationships, bad decisions, and excessive alcohol consumption for damn good reasons.
When Shook’s first band, Sarah Shook & the Devil, broke up after a solid three year plus run, Shook and her guitarist, Eric Peterson, continued to meet, practice, and plan. In late 2013 they put together brief stint called The Dirty Hands which ended after a handful of shows. The project they were looking for soon arrived with the addition of former Two Dollar Pistols frontman, John Howie Jr., (now frontman for John Howie Jr. & the Rosewood Bluff) as drummer. Sarah Shook & the Disarmers was born.
Shook and chief engineer of Manifold Recording Studios, Ian Schreier, had worked together some years before when he supervised intern Mario Bianchi recording the Devil’s seven song EP simply titled, Seven. Shook and Schreier had been discussing creating a full length album together for an age and, finally, during the first weekend of April, 2015, it happened. After nearly a decade of playing solo or fronting a band, Shook released her first full-length album, Sidelong, on October 16, 2015, at the Cat’s Cradle Back Room in Chapel Hill, North Carolina.